It was the deepest darkest depths of winter we were miserable, cold and grumpy. We needed sunshine. So one lunch break the Boat Builder and I went to our friendly travel agent full of dreams of beautiful beaches and snorkelling in warm seas. He recommended Tonga and having never been there, but sold on the photos of white sandy beaches, beautiful Fales and tropical fish, we signed up immediately.
I did have a small problem though. No summer pyjamas. My husband bought the Carolyn pyjamas pattern for me for Christmas last year along with the Ginger Jeans but both had been sitting in the scary pile waiting for me to woman up. Nothing like a deadline to suddenly motivate you.
I had the perfect fabric sitting in the stash that came from a local fabric store pop up sale. $3 per metre –way too cheap for fabric so lovely. It is a soft cotton voile with a red and yellow check and was a last minute decision as I waited in the queue to get my fabric cut. I grabbed the roll thinking it would be good to use for a muslin. The buttons came from my button stash. I got them a few years ago from a vintage seller at Fabric-a-Brac. I love how delicate they are and think they suit perfectly. Stashing for the win!
With fabric so light and translucent I decided to use French seams everywhere. I even French seamed those tricky crotch and sleeve head seams.
There’s only two things I’m not happy with. I think the shorts are a little too short. I’d like them to be about 1cm longer in the leg length. And I’m not sure what I did wrong with the facing at the shoulder seams but it didn’t meet up neatly. I ended up using the pinking shears which means they won’t fray at least. I didn’t pipe these as the fabric was so light and I wanted to keep them very simple
I did take a couple of photos with me in them, It’s always nicest if you see a real person in the clothes. Can you see all the goose bumps in the in spite of the thermals underneath? It was cold that day, but in Tonga they were perfect.
The pyjama pattern is great and I do have fabric and trim sitting ready for when I make up my “proper” version. But will probably need to book another holiday somewhere cold to get that version moved further up the sewing queue.
A few months before Christmas a very dear friend of mine asked me if I would make him a shirt. Now this is something I would never normally do as my sewing time is precious and I’m so slow it takes ages to finish projects. However Leon is one of the loveliest people I know and married to my best friend. He is also a fabric rep and wanted it for his work Christmas party. I knew this probably wouldn’t be any old fabric/shirt.Turns out it wasn’t – it was six fabrics.
Or rather two fabrics in three colour ways each. The front and back are a heavy linen with parrots all over, the sleeves are a lighter linen with giant Hibiscus flowers.
With fabric as bold as this and knowing Leon has the personality to pull it off I borrowed a 1970s pattern from the Made Marion shirt pattern library. (If you’re based in Wellington and don’t know about it, Maryanne has a huge collection of men’s shirt patterns that they will lend for a gold coin donation.)
Butterick 4712 had the look I wanted that wouldn’t chop up the prints too much. When cutting out I made sure every single pattern piece was a different colour way from the next. I didn’t bother with the pockets or epaulets as I wanted the parrots to be the stars. In fact I loved the parrots so much I put an extra one on the collar.
This is probably one of my all time favourite makes. The fabric and the oversized details just made it a joy to sew. I have to admit I felt a real pang seeing it go out the door.
Leon loved it though and it was a huge hit at his office Christmas party. He wore it steadily through the Christmas party season and I got to see it in action at a BBQ at his house on the beach on Boxing Day. I was in full on sewing smug mode at all the compliments he got 😉
Psst don’t tell Leon but I only ended up needing four of the fabrics so got to keep the two more muted versions.
Last year we moved from living on the flat by the beach to the top of a hill. We live on Whataitai, the taniwha that was left behind when Wellington harbour was formed. It’s one of my favourite Maori legends and something I think about a lot at the moment after our recent spate of earthquakes and people trying to make sense of the world around them. It’s been interesting living up here, the roads are narrow and twisty and steep but bus loads of tourists persist in venturing up the hill to go to the Mt Victoria lookout and then on to film locations for the Lord of the Rings movies. We have the luxury of a large car pad outside our house and we often get people parking there thinking it’s the car park for the lookout.
Each morning I walk down the hill to work and watch the cruise ships come in. If it’s sunny the streets will be full of happy tourists remarking how lovely Wellington is. If it’s grey and cloudy the streets will be full of puzzled tourists trying to figure out why people live in Wellington. If it’s raining I’m normally on my scooter heading down the hill as fast as I can, knowing the streets will be full of disgruntled and grumpy tourists wondering if they can get their money back on this Wellington stop.
Which is why even though it’s summer one of my latest makes is another Jenna cardigan. I cut it out at the beginning of February when we had a big southerly blow through and it got cold. Made it up over that weekend when it was rainy. Just in time for the sun to decide to come out and we had a forecast of 5 sunny days in a row and temperatures in the mid 20s. Summer is a fickle love in Wellington.
This is my seventh version of the Jenna pattern. Every single one has been different and I’ve loved and worn them all to death. Kat made up a pretty floral yoked version and I was smitten and wanted it for myself but we are vastly different body shapes so I couldn’t just steal it out of her wardrobe which was my original thought when I saw it. Anyone else ever feel really lazy about sewing and just think of going into another sewer’s house and nicking their version? Just me then? I’ll never be invited round again now that cat’s out if the bag.
The front panels are a soft and drapey synthetic knit printed with a floral photograph which I picked up from a designer pop up shop when they were selling off previous seasons fabrics. I paired it with a super light black merino I had in the stash and voila! A gorgeous beautiful new cardigan it’s too bloody hot to wear.
But it’s Wellington in Summer, so I’ll probably have worn it seventeen times next week.
So over the last couple of years I’ve been thinking about things I’ve never made that seemed tricky and hard and would probably challenge me to improve my skills. On the list was a collared shirt. I have a wide back, a reasonable amount up front boob wise and a large belly so I find shirts really hard to buy. In fact I only own one – which I don’t wear cause it doesn’t fit properly. Then I saw a sewing class for collared shirts, and then my husband asked if I would make something for him. Dun dun dun fates decreed that I would learn how to sew a shirt. Collar, flat felled seams, plackets and cuffs – eeeeep!
The pattern I used is McCall’s 6044 but I bought the wrong size it’s too big, I should have bought a large. However maths is amongst the things the Boat Builder is rather good at so it made a nice puzzle for him calculating the decreases – only fair it’s his shirt! The pattern also didn’t have a yoke or sleeve plackets but the sewing class covered how to add those.
I had some heavier weight white stretch cotton with a slight waffle weave in the stash that would do nicely. And cut up an old check shirt of his to use for the inside collar stand, placket and cuffs and snipped off the buttons to reuse – waste not want not ;-).
My husband has a large neck and we find it really difficult to buy shirts for him. If he wants to wear a tie it has to be a custom made shirt, which is not cheap. I measured his neck and increased the collar and stand pattern pieces, then made up the collar but it was too small, UGH. I increased them again and made the most perfect collar I’ve ever done, again too small, ARGH. I increased them again and while this version isn’t the most perfect collar and stand in the world and certainly not as perfect as my second attempt, it does button up and that’s what’s important when wearing a tie.
I think it turned out rather well for a first attempt. I need to decrease the shoulder width slightly on any future version and I’ll change the sleeve from a two piece to a single piece, but the Boat Builder is looking fine.
Something else I’ve done to extend myself with sewing is volunteering to be a pattern tester. I have a background in desktop publishing so figure I balance my lower skill level with awesome proofreading skills when giving feedback. And for once the latest thing I’ve tested I actually have photos for a blog post! It’s the new Miramar dress from Scroop Patterns.
I’m seriously in love with this pattern. Leimomi of The Dreamstress & Scroop Patterns has offered it as a project for her sewing lessons in the past and I had been strongly tempted. But it’s a fairly simple pattern that’s suitable for beginners and I am quite comfortable with knits so prefer classes that are a bit trickier. Which means I was happy dancing when she said it would be her next pattern release and I was dead keen to try it.
The dress is so comfortable it’s secret pyjama dressing. You can pretty much tell if I like a pattern as I put it on to wear straight away. As soon as I finished this I tried it on to twirl and then didn’t bother putting my old clothes back on. Anyone else do that when they are super happy with something?
I love the colour of the dress and the small abstract print. What isn’t good though is the amount of stretch in the fabric. Initially Leimomi recommended at least 25% stretch both ways, which this has, but the arms are tighter than I’d like. I can still wear it but I’m aware of it. She has changed the recommendation to at least 30% stretch and my advice is pay attention. She also increased the sleeve size by 1 cm.
I liked the dress so much I promptly bought some orange merino that day to make a top version and the sleeves are better with more stretch.
Speaking of sleeves, I left the ends raw on the dress. I’m going to wear it a bit more before I decide on final length. I’m thinking to cut them to above my elbow or possibly at a ¾ length. For the top version I marked a line 3cm below the short sleeve version and that came out to just above my elbow which I really like and is good for work.
The dress I made a size 46and graded out to a 48 from the waist as I wanted a bit more of a twirly skirt – forgetting I live in one of the windiest places on earth! When we took the photos I yet again involuntarily showed the cars passing by the colour of my knickers. When will I learn??!!!
Actually I did learn cause I wore it to work with high heels and a full slip later in the week and there were no naughty flashes even riding the scooter. But I think that a number of testers made the same alteration as in the final release version Leimomi has redrafted from the waist to taper out more. For the top version I just made a straight 46 and it fits really well. The only change I made after trying the top on to check the fit was to sew up the front seam an extra 3 cm. The dress version was fine but the different fabric meant I was showing a little more cleavage than I’m comfortable with for work. But I’m short and am self conscious in lower necklines as most people can look straight down my cleavage so I’d suggest trying it and then making up your mind like I did.
This is a non seasonal pattern, I’ve made it in two lighter weight fabrics suitable for the summer coming up but I’ve seen it made up in mid weight ponte and heavier weight merino which look awesome. I’m hoping that there will be a heavyweight raspberry merino in The Fabric Store when they stock for autumn/winter. Although looking at the Pantone predictions for 2016 I might have to settle for spicy mustard instead. I just know there will be a winter version in my future along with a mid weight white top version for work.
And you know what else is nice? In our new house we overlook the Miramar peninsula the dress is named for… pretty, like the pattern.
My blog posts don’t reflect my sewing output. I’m sewing a lot and have put a focus on trying new things to extend my skills. Such as a business shirt for the Boat Builder and experimenting with trousers for me. Still on the list of scary things to tackle are a wool coat, a bra, jeans and a swimsuit. I’ve sewn a number of dresses, multiple versions of Linden sweatshirts and scout tees and various skirts. And have almost finished another corset – pesky hand sewing! As much as I sew for every piece I finish there’s probably four or five things cut out or half finished and then a huge stack of fabric and patterns behind that. It was getting overwhelming and I was starting to get a paralysis of indecision on what to do next. I felt like I was “drowning” in piles of unfinished projects that had been stopped because I didn’t know how to do the next step or I suddenly got bored of it , or something shinier had come along, New patterns! New fabrics! Oh my! My ‘To Sew List’ was starting to be stressful and I was getting irritated with myself. Compounding this is that I seem to have stopped buying clothes and things were starting to get a bit desperate wardrobe wise.
And then we moved. And everything got packed away for two months.The new house is awesome, we looked for five years until we finally found one with just about everything we wanted (Boat Builder didn’t get the internal access garage and I didn’t get the walk in wardrobe), and just enough things that need to be fixed or renovated to make it interesting and at a price we could remotely afford without giving up everything else in our lives. But stopping was good. I missed sewing very much, but it gave me a bit of space from all the self inflicted chaos and disorganisation that was surrounding me. I did a big cull of fabric and other stuff before we packed so I knew I only had projects that actually inspired me or would really challenge me. The new house has a basement so now we have a room that’s just for hobbies – luxury I know. At the moment it’s solely for sewing, the BB has hit pause while he does some serious thinking about the next step on the yacht and does some house projects instead. But tucked into the corner of the room is my grandfather’s loom and when I’m feeling confident I’ll be able to set that up too.
While everything was packed away I decided to bring a few of my work habits home (my day job is project planning) and drew up a Kanban board for myself and added my current queue as post it notes.
I then divided my current sewing ideas into seasons and made a long term sewing goals list.
I also created a sewing projects book. I found that when I kept stopping and starting projects I would forget what thread and stitch length etc. I had used, or I’d lose the piece of paper when I remembered to write them down. I also thought it would help me to keep a record of what I had done, changes made to the pattern and where I’d gotten the fabric etc. I figured it would be helpful writing blog posts if I ever got to the point where I posted more than once in a blue moon. I staple a little swatch of the fabric to the page as well and I loves it. It’s so nice to flip through and see my “history” at a glance.
When it came to unpacking the six very large suitcases of fabric I wanted to take my time and organise my stash so that I could see it. I’d loved all the fabric on the shelves at the old house but they quickly got messed up and fell all over each other. I borrowed an idea from the fabric shops and made myself a template and proceeded to cut up the many cardboard boxes left over after the move.
Then as I unpacked each case I wrapped the fabric round the cardboard “holder”. So now I have nice even stacks ordered by colour. I can see exactly what I’ve got and feel very inspired when I walk in the room. I pinned the Kanban board and long term goals sheet to a board on the wall. Put the patterns in open boxes on the bottom shelves and bought myself four more of the boxes, two to store unfinished projects in, and one each for interfacing and trims/sundries. I gave myself a new rule I had to alternate starting a new project with finishing something from the boxes.
The room has stayed tidy. I find the space really calming and a joy to work in. The chaos outside and in has gone – and best of all my productivity has gone up!